„... The color — when I disturb it with a whisk — forms bubbles. If these dry out quickly in the warm midday sun, the color seems so much more vivid. It is more effective, feels more sprawling. This is particularly good for the mud images. The color flows slowly and I can easily control its path by moving the painting. So now I also have these pictures full of color besides the washed out ones. But it is particulary important to be patient with them: Each surface has to dry out — sometimes for very long. With the washed out pictures it is more about fast reactions instead. Sometimes I miss the moment and too much has dried out - then I simply start over again...“